Showing posts with label bass. Show all posts
Showing posts with label bass. Show all posts

Vocal Adaptor for Bass Guitar Amp

,
These days, music is a major hobby for the young and not-so-young. Lots of people enjoy making music, and more and  more dream of showing off their talents on  stage. But one of the major problems often encountered is the cost of musical equipment. How many amateur music groups sing through an amp borrowed from a guitarist or bass player?

This is where the technical problems arise not in terms of the .25” (6.3 mm)  jack, but in terms of the sound quality (the words are barely understandable) and volume (the amp seems to produce fewer decibels than for a guitar). What’s more, unpredictable feedback may cause damage to the speakers and is very unpleasant on the ear. This cheap little easy-to-build project can help solve these technical problems.

Vocal Adaptor for Bass Guitar Amp Circuit diagram :

Vocal Adaptor for Bass Guitar Amp-Circuit Diagram

A guitar (or bass guitar) amplifier is designed first and foremost to reproduce the sound of the guitar or bass as faithfully as possible. The frequency response of the amp doesn’t need to be as wide or as flat as in hi-fi (particularly at the  high end), and so this sort of amplifier won’t  permit faithful reproduction of the voice. If you build an adaptor to compensate for the amp’s limited frequency response by amplifying in advance the frequencies that are then attenuated by the amp, it’s possible to improve the quality of the vocal sound. That’s just what this circuit attempts to do.

The adaptor is built around the TL072CN low-noise dual FET op-amp, which offers good value for money. The NE5532 can be used with almost the same sound quality, but at (slightly) higher cost. The circuit breaks  down into two stages. The first stage is used to match the input impedance and amplify the microphone signal. For a small 15 W guitar or bass amplifier, the achievable gain is about 100 (gain = P1/R1). For more powerful amplifiers, the gain can be reduced to  around 50 by adjusting P1. The second stage  amplifies the band of frequencies (adjustable using  P2 and P3) that are attenuated by the guitar amp, so as to be able to reproduce the (lead) singer ’s voice as clearly, distinctly, and  accurately as possible. To refine the adaptor and tailor it to your amplifier and speaker, don’t be afraid to  experiment with the component values and the type of capacitors.

The circuit can readily be powered using a 9 V battery, thanks to the voltage  divider R4/R5 which converts it into a symmetrical  ±4.5 V supply.

Author :Jérémie Hinterreiter - Copyright : Elektor

Read more →

Stereo Preamplifier With Bass Boost

,
High Quality, simple design, DC 20v to 30v supply

This preamplifier was designed to cope with CD players, tuners, tape recorders etc., providing an ac voltage gain of 4, in order to drive less sensitive power amplifiers. As modern Hi-Fi home equipment is frequently fitted with small loudspeaker cabinets, the bass frequency range is rather sacrificed. This circuit features also a bass-boost, in order to overcome this problem. You can use a variable resistor to set the bass-boost from 0 to a maximum of +16dB @ 30Hz. If a fixed, maximum boost value is needed, the variable resistor can be omitted and substituted by a switch.

 Stereo Preamplifier With Bass Boost Circuit diagram:

stereoPreamplierWithBass-boost
Parts:
P1 = 10K
P2 = 100K
R1 = 100K
R2 = 100K
R3 = 15K
R4 = 10K
R5 = 22K
R6 = 15K
R7 = 1K
R8 = 470R
C1 = 2.2uF-25v
C2 = 2.2uF-25v
C3 = 470uF-35v
C4 = 1uF-35V
C5 = 2.2uF-25v
C6 = 47nF-63v
C7 = 22uF-25v
IC1 = TL072, Opamp
SW1 = DPST Switch
Notes:
  • Schematic shows left channel only, but R1, R2, R3 and C1, C2, C3 are common to both channels.
  • For stereo operation P1, P2 (or SW1), R4, R5, R6, R7, R8 and C4, C5, C6, C7 must be doubled.
  • Numbers in parentheses show IC1 right channel pin connections.
  • A log type for P2 ensures a more linear regulation of bass-boost.
  • Needing a simple boost-in boost-out operation, P2 must be omitted and SW1 added as shown in the diagram.
  • For stereo operation SW1 must be a DPST type.
  • Please note that, using SW1, the boost is on when the switch is open, and off when the switch is closed.
Source : http://www.ecircuitslab.com/2011/06/stereo-preamplifier-with-bass-boost.html 
Read more →